9 months ago
Saturday, 20 October 2012
Various – Collected Works
It's no surprise, then, that this four-track sampler EP takes in a range of styles. The EP opens with HNQO feat Bip's As I See, a deep/tech chugger with a fat, chunky b-line and a breathy spoken female vocal. Oddly reminiscent of Superstars Of Rock's classic Orange Sunshine in places, you'll recognise it from the "D to the O to the O to the D… E.P.M.U.S.I.C… go!" refrain – though as to what 'Dood EP Music' means, your guess is as good as mine.
Javi Bora, Le Vinyl and Melohman are up next with Destruction, a low-temperature techy groove with an "annihilation… destruction" vocal hook, female wails and a tuff, no-nonsense bottom end, which is followed by Mantra from Hector Couto and S.K.A.M, a more peaktime kinda cut that sits on the deep house/nu disco borders and works a voal sample lifted from Mainline (the Jason Load version, not the Black Ivory one – as also sampled by Love Revolution's Give It To Me Baby back in the day).
Finally, Detroit Swindle's The Standard Of Dialogue is another cut that owes a great deal to classic early 90s NYC – the "hehs" in particular recalling House Of Gypsies' Samba, so much so that it MIGHT actually be a sample, though I'm not 100% sure – and that's topped with a black power/conscious rap-type (second) vocal exhorting "motherfuckers" to "realise" and "reject mediocrity" and so on.
Ageing disco dolly that I am it's Mantra that wins out for me, with Detroit Swindle coming a close second. But it's all good, as they say.
Out: This week
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