Showing posts with label Masahiro Suzuki. Show all posts
Showing posts with label Masahiro Suzuki. Show all posts

Saturday, 30 June 2012

Aki Bergen – Melancholy


Aki Bergen – Melancholy
Aki Bergen's Neurotraxx Deluxe might be one of the hippest labels around right now, but this latest offering from the man himself actually comes courtesy of the equally non-unhip Tokyo House Underground. There are three mixes to choose from, in what the hype sheet quite justifiably deems “a well-rounded collection”.

In its original form, Melancholy is a big room, dark-ish tech-houser with big, tribal-leaning drums, “too much” vocal snips and a druggy, warehouse-y vibe overall. As for the remixes, they both come from Masahiro Suzuki, who's also a Neurotraxx regular. His Sunnyday Service Mix is a more house-fied joint than Bergen's original, upping the fun factor with retro hands-in-the-air pianos and a jaunty walking bassline. His Navy Soltaire Remix [sic], meanwhile, is an unhurried yet still reasonably energetic groover, with a rolling, funk-fuelled b-line and garage-y female vocal overlays.

Sitting somewhere between traditional deep house and that more contemporary Berlin/East London sound, the latter mix is likely to find friends in both camps. It's also the rub that stands out most for me but it's a close thing… this is a strong package all round.

Out: This week

About: You can find Tokyo House Underground… erm… actually I can't seem to find a website or any of the usual social media links but here they are on Mixcloud

Monday, 27 June 2011

Masahiro Suzuki - Wondazloop

This actually came out on Friday, but what the hey.... it's not like I've been exactly bang on-the-ball with releases for the past few weeks, is it? Got a working computer again now though so hopefully that'll change!

Wondazloop is the latest release on the reborn Black Vinyl label and comes from the boss of Tokyo's DMR Imports record shop (it says here). It features sampled spoken word vox from the US civil rights era (I think), a cheeky Nightwriters sample, and a little dash of jazz thrown in for good measure. There's a lot going on over its five minutes 54 seconds, but it's good. On the B, Red Criola is a more uptempo, jaunty, jazzy, piano-led affair made for moving booties on dancefloors of the cheese-free variety. It's also got hints of Afro percussion... but not in a horribly noodly way.

Good to see BV back and doing what they do best: delivering underground bombs with scant regard for fashion, trends or all the other bullshit that goes with this industry.

Out: Now (but only for three days)

About: Black Vinyl are now based in sunny Antigua, don'tchaknow? Here's their new Facebook page which seems to be their primary cyberhome at the mo'.