tag:blogger.com,1999:blog-24899892260402010752024-03-14T08:03:14.578+00:00This Is Why We DanceUpfront reviews of house, garage, D&B, disco, dubstep and more. Read about all the latest releases and find free, legal promo downloads. Please send promos for consideration to: thisiswhywedance@gmail.comRussellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.comBlogger1930125tag:blogger.com,1999:blog-2489989226040201075.post-63274756236378120702013-01-01T17:17:00.000+00:002013-01-01T17:17:42.672+00:00TIWWD has a new home!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiA3LGsnauqB8SN-ivXem9LuYvOZkfvVOf2oIrmD6oGWQvAP2YY70l9gBkChcMIWUMjijL_HwszMzUE0BuNkKJi8vcdVcPtnaCESliun4T4c7lbyqHfpbD_32NcuNnn_bOABqlCq8K2BQ/s1600/WeHaveMoved.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="185" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiA3LGsnauqB8SN-ivXem9LuYvOZkfvVOf2oIrmD6oGWQvAP2YY70l9gBkChcMIWUMjijL_HwszMzUE0BuNkKJi8vcdVcPtnaCESliun4T4c7lbyqHfpbD_32NcuNnn_bOABqlCq8K2BQ/s320/WeHaveMoved.png" width="320" /></a></div>
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I promised you some exciting news… well here it is.<br />
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As of today, this Blogspot blog will no longer be updated. Instead, you can follow This Is Why We Dance at the new, much simpler address of:<br />
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<span class="Apple-style-span" style="color: white; font-size: x-large;"><a href="http://www.thisiswhywedance.com/" target="_blank">www.thisiswhywedance.com</a></span><br />
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This 'old' blog will still be here so that the links many of you label types have kindly posted to reviews will still work.<br />
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But all existing content has been ported over to the 'new' site and that's where all new updates will be going as of today, so please update your bookmarks etc.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com2tag:blogger.com,1999:blog-2489989226040201075.post-40825071573626033662012-12-31T14:45:00.002+00:002012-12-31T14:46:20.234+00:00So many tunes, so little time 35Here we are then, the last day of 2012. And for once, what with it being Xmas and hence a quiet week for releases, I actually got through most of the stuff I wanted to tell you about last week… but here are a few other bits n' bobs that are worthy of your attention.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWErxV6hlpiu_HK5TDd7Ybg9XTF_eJ1RJBGoGmlnghGhwyJVtXa2sCboQX3sRa6GWMQFtgNRtKNQoYeJHX_QNmloECa3knHfg_k59lL9cYD2QCkYsJMaUO-SXDKdhDrIR2izOo1-zcnwQ/s1600/SPR081+cover_450.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Claes Rosen Starlight Spring Tube" border="0" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWErxV6hlpiu_HK5TDd7Ybg9XTF_eJ1RJBGoGmlnghGhwyJVtXa2sCboQX3sRa6GWMQFtgNRtKNQoYeJHX_QNmloECa3knHfg_k59lL9cYD2QCkYsJMaUO-SXDKdhDrIR2izOo1-zcnwQ/s200/SPR081+cover_450.jpg" title="Claes Rosen Starlight Spring Tube" width="100" /></a></div>
First up is <b><span class="Apple-style-span" style="color: lime;">Claes Rosen</span></b>'s <i><b>Starlight</b></i>. You may remember this spangly, Balearic-leaning and slightly poppy nu-disco gem from a <a href="https://soundcloud.com/springtube" target="_blank">Spring Tube</a> V/A sampler back in the spring… if not no worries cos it's now getting a full single release complete with new mixes from Acryl boss Da Funk, Latvia's Blood Groove & Kikis and Chile's Aerotek. For deeper thrills, it's the BG&K and Da Funk rubs you want to be heading for.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgHWiJ59cNKf8i5XgRQ9F4HA9Vmek5BrNVWL8wUhDRMBxzlYEq0a8ieYwIvqAr_X_pObjOR-THWMbKpXW3rX0s_lvL690BE7Cv2dCDV2yAlz_3JISaM61Z7TQlipjEzOQ5sZkWaFXHG2Q/s1600/STR01_COVER-ART-2367.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Georgia Cee Soul World EP Soul Town Records" border="0" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgHWiJ59cNKf8i5XgRQ9F4HA9Vmek5BrNVWL8wUhDRMBxzlYEq0a8ieYwIvqAr_X_pObjOR-THWMbKpXW3rX0s_lvL690BE7Cv2dCDV2yAlz_3JISaM61Z7TQlipjEzOQ5sZkWaFXHG2Q/s200/STR01_COVER-ART-2367.jpg" title="Georgia Cee Soul World EP Soul Town Records" width="100" /></a></div>
Next, the <b><span class="Apple-style-span" style="color: lime;">Soul World EP</span></b> comes from <i><b>Georgia Cee</b></i> and is the first release on a brand new Italian label called <a href="http://www.soultownrecords.com/" target="_blank">Soul Town Records</a>. Georgia was 'discovered' by Timmy Regisford and has worked with Quentin Harris, which should give you a pretty good idea what to expect here… as the hype sheet says, "fans of Shelter and Body & Soul, rejoice"! Of the EP's four Latin-tinged cuts, <i>Fallin' Down</i> stands out for me.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSnc0sE45UosmHLHdAz5AxEcuuBB9bfujUVbNe9qrUgCNJVAQXbCX9LjJeIjWH_MA4L6x1Qj8XiebXrjwzeP_dOKQVGDUVQ0SVlkBuEPwi-quSgMtsE5hdE7m9n9exwHr58e8_VagG8Pg/s1600/large_659994C-ISL011.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Losing Rays Ir.Replaceable Incepto Smooth" border="0" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSnc0sE45UosmHLHdAz5AxEcuuBB9bfujUVbNe9qrUgCNJVAQXbCX9LjJeIjWH_MA4L6x1Qj8XiebXrjwzeP_dOKQVGDUVQ0SVlkBuEPwi-quSgMtsE5hdE7m9n9exwHr58e8_VagG8Pg/s200/large_659994C-ISL011.jpg" title="Losing Rays Ir.Replaceable Incepto Smooth" width="100" /></a></div>
On an even mellower tip, <i><b>Ir.Replaceable</b></i> comes from <b><span class="Apple-style-span" style="color: lime;">Losing Rays</span></b> on <a href="https://soundcloud.com/inceptomusic" target="_blank">Incepto Smooth</a>, and is a beautiful slice of downtempo/ambient electronica topped off with a blissed-out female vocal… with B-side <i>Touch</i> venturing even further into all-out ambience.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd8_rn9TEyzTjPwHeGbq0hHrcn6jZStwrGZQ4v_nkFkzr6kShos1tPBN7pMPSZ0grnZo8j9CDnEU015lFn3btvcvxA00oGBGtzkDPu0-kGzy_xVGHRR0ZILoTynPevzdeVwYJKy9my8uc/s1600/artwork.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Lyle Quach Check This Out Yellowjax" border="0" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd8_rn9TEyzTjPwHeGbq0hHrcn6jZStwrGZQ4v_nkFkzr6kShos1tPBN7pMPSZ0grnZo8j9CDnEU015lFn3btvcvxA00oGBGtzkDPu0-kGzy_xVGHRR0ZILoTynPevzdeVwYJKy9my8uc/s200/artwork.jpg" title="Lyle Quach Check This Out Yellowjax" width="100" /></a></div>
At the other end of the spectrum, <b><span class="Apple-style-span" style="color: lime;">Lyle Quach</span></b> is a producer you can always count on for some jacking deep/tech house grooves and <b><i>Check This Out</i></b> is no exception. Pascal Daze's remix goes a little harder/techier, Aldo Del Rey's a little deeper, so a range of floors should find it in themselves to move to this one, which comes on New York's <a href="http://www.yellowjaxrecordings.com/" target="_blank">Yellowjax Recordings</a>.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxxnSW0pEdLFw38bCEnjPiUDjuRGgY4_Zlwnkju80m33i1KhLnAoD8csHXCxz5_7Td6nPpOEQtDRxerCziDE4rty6ZT1hTFghR6vt-s9TV0cEYpinEq8ZCq7qDMevj4zVX7zR0VW6XZoQ/s1600/SECTION8045D.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Agari Tachi Malicious Section 8 Dub" border="0" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxxnSW0pEdLFw38bCEnjPiUDjuRGgY4_Zlwnkju80m33i1KhLnAoD8csHXCxz5_7Td6nPpOEQtDRxerCziDE4rty6ZT1hTFghR6vt-s9TV0cEYpinEq8ZCq7qDMevj4zVX7zR0VW6XZoQ/s200/SECTION8045D.jpg" title="Agari Tachi Malicious Section 8 Dub" width="100" /></a></div>
Finally, a couple of nuggets on a D& B/dubstep tip. Coming on <a href="http://www.section8recs.com/" target="_blank">Section 8 Dub</a>, <b><i>Agari Tachi</i></b> by <b><span class="Apple-style-span" style="color: lime;">Malicious</span></b> is as deep, dark and minimal as it gets, and definitely worth checkin. B-side Peter Kurten collab <i>Mitochondrion</i> is a little too hard and industrial-sounding for these ears, but not to worry because there are more deep, minimal D&B delights to be found on the <b><i>Tenderness EP</i></b> by <b><span class="Apple-style-span" style="color: lime;">Mechanical Pressure</span></b>, a two-tracker coming from the ever-checkable <a href="http://www.plushrecs.com/" target="_blank">Plush Recordings</a>.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIZHwtVrZ-8_WW_QpUO1KfUSrkAANafBufeie1CtcfHkg8UJ1H739hS7clQsyO_EVwi80VF37tyaHaHazShTJqtKAFhcVbg8Kpr-WHqVw4rSQ3e57uJ3bSAk3LYscMJEeCfRlJFLw8FRs/s1600/PLUSH056D.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Mechanical Pressure Tenderness Plush Recordings" border="0" height="100" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIZHwtVrZ-8_WW_QpUO1KfUSrkAANafBufeie1CtcfHkg8UJ1H739hS7clQsyO_EVwi80VF37tyaHaHazShTJqtKAFhcVbg8Kpr-WHqVw4rSQ3e57uJ3bSAk3LYscMJEeCfRlJFLw8FRs/s200/PLUSH056D.jpg" title="Mechanical Pressure Tenderness Plush Recordings" width="100" /></a></div>
And that, dear readers, is it for 2012. I'd do some big end-of-year spectactular but, y'know, places to go, people to see, etc. So it just remains for me to wish you a most exuberant NYE and I'll see you on the other side… and DO check back tomorrow cos I've got some very exciting news for ya.<br />
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Happy new year!Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com1tag:blogger.com,1999:blog-2489989226040201075.post-63813565682707779312012-12-30T20:16:00.001+00:002012-12-30T20:17:37.112+00:00Various – One Year Of Frole<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE1pbtQOPoiXk7zNbcgfVSWBAXY50CNr5LDNtbK11leWYorOsC-IYPIdyqxGgsIq15-pxfxvDEbHgIUJQk4_cxfSqcrqeLkmuadCEPzEJUJCwg8_RzC-rIYJlyQ2LG2bxvWl4oI4ufJbk/s1600/FRLCOMP001_2400x2400.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="One Year Of Frole Frole Records" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE1pbtQOPoiXk7zNbcgfVSWBAXY50CNr5LDNtbK11leWYorOsC-IYPIdyqxGgsIq15-pxfxvDEbHgIUJQk4_cxfSqcrqeLkmuadCEPzEJUJCwg8_RzC-rIYJlyQ2LG2bxvWl4oI4ufJbk/s200/FRLCOMP001_2400x2400.jpg" title="One Year Of Frole Frole Records" width="200" /></a></div>A couple of weeks back I reviewed <a href="http://thisiswhywedance.blogspot.co.uk/2012/12/desos-my-underground.html" target="_blank">a single by Desos</a> on Frole Records, which was the first time I'd heard of the Italian label. Following that review they very kindly sent me this compilation, which is being released to mark them reaching their first birthday.<br />
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I'm very glad they did, too, because this rocks. "Proper deep house in various shades" is the basic story, supplied mostly by artists you probably haven't heard of (unless you're more on-the-ball than I am, of course!) by with some familiar names – Kevin Griffiths, Moodymanc, Hector Couto, The Echonomist – cropping up on remix duties. Ellroy's <i>Everything</i>, which does strange, downtuned things to Whitney's <i>Love Will Say The Day</i> vocal, is one highlight; Echonomist's early 90s-tastic refix of Kevin McCallister's <i>Swing Piomb</i> is another, LDF vs Lostrocket's <i>Loose In Mind</i> yet another. Oh, and Gastek's laidback, organ-flecked<i> Grey Crystal</i> another.<br />
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You getting the idea yet? When I say "this rocks," I mean it rocks from start to finish. Go seek.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>You can find Frole Records at their <a href="http://www.frolerecords.com/" target="_blank">website</a>, on <a href="https://www.facebook.com/frolerecords" target="_blank">Facebook</a> or on <a href="https://soundcloud.com/frole-records" target="_blank">Soundcloud</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com1tag:blogger.com,1999:blog-2489989226040201075.post-80486285237714367502012-12-30T19:55:00.002+00:002012-12-30T19:56:36.824+00:00Sunshine Jones – We Are What We Are/Come To Me<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZlX9WqeYl2ZjWkkiteHhCZW_EEkAQE77ZkD0VqttnSwewHLTP0ubIxs5gcSgGTYW4KS2AIREye594JlzQ1HpSheslK4bnk8DX836Xrl96UMKzkugcZ_Qp7EaaMjf2THvzqdnZdgYW6nQ/s1600/kng427_small.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Sunshine Jones We Are What We Are King Street" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZlX9WqeYl2ZjWkkiteHhCZW_EEkAQE77ZkD0VqttnSwewHLTP0ubIxs5gcSgGTYW4KS2AIREye594JlzQ1HpSheslK4bnk8DX836Xrl96UMKzkugcZ_Qp7EaaMjf2THvzqdnZdgYW6nQ/s200/kng427_small.jpg" title="Sunshine Jones We Are What We Are King Street" width="200" /></a></div>A new EP from Dubtribe Soundsystem man Sunshine Jones here – and one that might surprise you.<br />
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Because on <i>We Are What We Are</i> it's OUT! with the winsome, soulful loveliness and IN! with a big chunky b-line, tuff beats and a spoken male, poetry-style vocal. <i>Come To Me</i>, presented here in two mixes from Nicko Vee and Jones himself, similarly sees him looking to contemporary European sounds for inspiration.<br />
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Both tracks are taken from Jones' recent <i>Belle Ame Electronique</i> album, which came out in November and which I must admit got overlooked when it landed – I was busy and, y'know, I'd had enough of all that winsome soulful loveliness, truth be told. On the evidence of this EP, I'm gonna need to go back and check that album again…<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>This comes on King Street Sounds, who live <a href="http://www.kingstreetsounds.com/" target="_blank">here</a> and <a href="https://soundcloud.com/kingstreetsounds" target="_blank">here</a> (web, Soundcloud)Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-52357799385948395922012-12-29T16:40:00.000+00:002012-12-29T16:40:09.945+00:00Ruben Mandolini – Slevin<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxs8Rw7EuMSvZf6oOD50R_XEJZthzkbcKw9Q7XHmLuM7OlDA5QmQHoy6zXzJXroqrnxsi8_C7h7rQMYeiHPVRKaZsTps1WTTV8f7Xc2dLfhn9xM7Hdq_wTB4b51QNr9gZsjSxDMrdrC0/s1600/snatch_034-1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Ruben Mandolini Slevin Snatch!" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxs8Rw7EuMSvZf6oOD50R_XEJZthzkbcKw9Q7XHmLuM7OlDA5QmQHoy6zXzJXroqrnxsi8_C7h7rQMYeiHPVRKaZsTps1WTTV8f7Xc2dLfhn9xM7Hdq_wTB4b51QNr9gZsjSxDMrdrC0/s200/snatch_034-1.jpg" title="Ruben Mandolini Slevin Snatch!" width="200" /></a></div>
More dancefloor-oriented tech-house frolics here, courtesy of Riva Starr's Snatch! label and Italian producer Ruben Mandolini.<br />
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Both <i>Slevin</i> itself and <i>Forget About It</i> are hi-octane, prime-time pumpers with more than a hint of disco, while <i>Fonky Death</i> works a more stripped-down, jackin' groove altogether. The latter's also accompanied by a drum-tastic 'DJ tool' mix.<br />
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I've love <i>Fonky Death</i> more, were it not for the angry-sounding man who keeps shouting "Funky crowd out there!" in a rather annoying fashion. Even taking him into account, though, what we have here are three solid bets when you need to keep 'em moving.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About:</span></b> You can find Snatch! on <a href="https://soundcloud.com/snatchrecords" target="_blank">Soundcloud</a>, on <a href="https://www.facebook.com/snatchrecords" target="_blank">Facebook</a> or at their <a href="http://www.snatchrecords.com/blog/index.php" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-61390336128431927012012-12-29T16:13:00.002+00:002012-12-29T16:13:48.729+00:00OR'L – Confusion EP<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinxE37XtIzyV6FhMJbms9WcTCwigWeFpcsSLfGadUMye6NvY0H6e0w1YrSfaWi-aGxFYq5pglTg1II0MFDQvdjDrmg9zDPeopK9cC4Xgk8QmMPfQLJHvDKI1MMvK39nIayN0UtWeVxXoU/s1600/artworks-000035213354-fq5082-crop.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="OR'L Confusion F*** House Music" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinxE37XtIzyV6FhMJbms9WcTCwigWeFpcsSLfGadUMye6NvY0H6e0w1YrSfaWi-aGxFYq5pglTg1II0MFDQvdjDrmg9zDPeopK9cC4Xgk8QmMPfQLJHvDKI1MMvK39nIayN0UtWeVxXoU/s200/artworks-000035213354-fq5082-crop.jpg" title="OR'L Confusion F*** House Music" width="200" /></a></div>
A five-tracker here from France's OR'L on F*** House Music that, as is often the label's wont, fuses (deep) house and (nu) disco vibes.<br />
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<i>Confusion</i> itself leads the charge, a low-slung, pulsing, sleazy nu-disco groover with a wibbly, trippy synth topline reminiscent of N-Joi's <i>Anthem</i>.<i> Bougie Solitaire</i> is house with disco edges and reminds me a bit of Direckt's <i>2 Fat Guitars</i> in a weird kinda way, while <i>Tools 890</i> is a more straight-up deep/tech house jam with some jazzy, lounge-y flourishes.<br />
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Finally, you get two mixes of <i>Disco Sluts</i>: the original's long on space disco synths and wukka-wukking geetars underpinned by a solid, if understated walking b-line, while Will Berridge flips the script and turns it into a dubby, afterhours excursion that for me is actually the pick of a very fine EP.<br />
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Time to get your shimmy on, peeps!<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>You can find F*** House Music (sister label to Sleazy Deep, dontchaknow?) on <a href="http://www.facebook.com/pages/F-House-Music/140282359329246" target="_blank">Facebook</a> and <a href="https://soundcloud.com/l-e-o" target="_blank">Soundcloud</a>, or at their own <a href="http://www.fhousemusic.com/" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-35528842068541037152012-12-29T16:01:00.001+00:002012-12-29T16:01:34.783+00:00Groovebox – Gangster<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaoai6FFpXAsAhErVYGgo6rh26Mi3igy87kB3bNTfXeFcSQq8B9ouwnAK3aDibQ-5g5fP1WP23m_RItvgu7WwBnyuLo7HRF8Fc-7MUInJPfV83hzBpF4hSDfqR45LcSKzcYFGoOWG0Fds/s1600/GROOVEBOX.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Groovebox Gangster Deeperfect" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaoai6FFpXAsAhErVYGgo6rh26Mi3igy87kB3bNTfXeFcSQq8B9ouwnAK3aDibQ-5g5fP1WP23m_RItvgu7WwBnyuLo7HRF8Fc-7MUInJPfV83hzBpF4hSDfqR45LcSKzcYFGoOWG0Fds/s200/GROOVEBOX.jpg" title="Groovebox Gangster Deeperfect" width="200" /></a></div>
Needn't detain you long with this one, cos what we have here are some straight-up pumpin' tech-house grooves aimed fair and square at the dancefloor. And once you've said that, what else is there to say?<br />
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I guess I could tell you that the track's predicated (vocally) around that Henry Hill "as far back as I can remember, I always wanted to be a gangster" sample from <i>Goodfellas</i>. And I could tell you that the original's a bass-y, push-y affair while the Johnny Kaos remix strips things back a few notches to fashion a vaguely Sneak-y roller.<br />
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But yeah, "pumpin' tech-house grooves aimed fair and square at the dancefloor" just about covers it.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>This comes on Italy's Deeperfect, who are quite good at all that tech-house malarkey, y'know. Find 'em on <a href="https://soundcloud.com/deeperfect-records" target="_blank">Soundcloud</a> or <a href="https://www.facebook.com/deeperfect" target="_blank">Facebook</a>, or hit up the home page of parent label <a href="http://www2.sound4group.it/" target="_blank">Sound4Group</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-3783308659093120382012-12-29T15:52:00.003+00:002012-12-29T15:52:54.902+00:00KANT – Burn, Hurt, Touch EP<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimMvP2cCW7rwOBYMsXDof94vNPAHusmLZ5_1xc_hR5LF0r7GcWB4ybGa0jrjBr2Ms5v77CApw6NwVcOA_58g0I50swxSidMIcKLMVHfP5YMrvvwsGh9LZ2ktmhUfrL6-fSocJn9BtLuJY/s1600/large_3995528927.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="KANT Burn, Hurt, Touch EP Gartenhaus" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimMvP2cCW7rwOBYMsXDof94vNPAHusmLZ5_1xc_hR5LF0r7GcWB4ybGa0jrjBr2Ms5v77CApw6NwVcOA_58g0I50swxSidMIcKLMVHfP5YMrvvwsGh9LZ2ktmhUfrL6-fSocJn9BtLuJY/s200/large_3995528927.jpg" title="KANT Burn, Hurt, Touch EP Gartenhaus" width="200" /></a></div>
An EP of typically cerebral/leftfield house grooves here from Denmark's Gartenhaus.<br />
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Just to make life a bit easier, the three words in the EP title are actually the names of the three tracks involved. <i>Burn</i> is a dubby, chuggy deep/tech affair, but definitely one more aimed at discerning grown-ups rather than dancefloor drug monkeys; <i>Touch</i> is an ever-so-slightly more upbeat number with subtle disco stabs and a nice big throbbing b-line.<br />
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But the standout, as with yesterday's Switchbox single (below), is a cut that draws heavily on a classic from days gone by. In this instance, it's the slow-pulsing, Balearically-tinged <i>Hurt</i>, which lifts a hefty chunk of vocal from Carly Simon's <i>Why</i>. To great effect, it must be said!<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>You can find Gartenhaus on <a href="https://soundcloud.com/gartenhaus" target="_blank">Soundcloud</a>, on <a href="https://www.facebook.com/GartenhausMusic" target="_blank">Facebook</a> or at their own <a href="http://gartenhaus-music.com/" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-84486853896341573272012-12-28T19:07:00.001+00:002012-12-28T19:07:06.373+00:00Paolo Marturano – I'll Be Waiting For You<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNu-8hwurJTb7trL7Gq0Oc1gHrs4Ko1Wqy6LCc_7BnaV79y0tW-WggeOsawtZe7ghIjy7LxVMPgljwt1gBQZK1HUJjeE8MdT9zBwQpMMlsDUbV5W_lemar0torsXm4I8_af3O1HTXAMog/s1600/1820-93294_600.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Paulo Marturano I'll Be Waiting For You Muchiq" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNu-8hwurJTb7trL7Gq0Oc1gHrs4Ko1Wqy6LCc_7BnaV79y0tW-WggeOsawtZe7ghIjy7LxVMPgljwt1gBQZK1HUJjeE8MdT9zBwQpMMlsDUbV5W_lemar0torsXm4I8_af3O1HTXAMog/s200/1820-93294_600.jpg" title="Paulo Marturano I'll Be Waiting For You Muchiq" width="200" /></a></div>
Seems like a while since we heard from Chester-based Muchiq Records, but here they come again now with a surefire floorburner courtesy of Italy's Paulo Marturano.<br />
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There are three mixes to choose from. The Original is a deep, techy house throbber with one SERIOUSLY chunky b-line, a neat wibbly synth topline and a male voice intoning "I'll be waiting for you, there's nothing else I can do." One to drop in those heads-down, locked-on moments in the wee small hours. The Forshure Remix ups both the BPM and the tech factor a notch or two, while Dansco's rub adds busier percussion to give the track a driving, proggy, almost tribal feel; both retain that same mantra-like vocal.<br />
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It's the original that stands out for me, but with the other two mixes in tow you've got the ammunition to slay a range of floors. Go get 'em.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>You can find Muchiq on <a href="https://soundcloud.com/muchiqrecords" target="_blank">Soundcloud</a>, on <a href="http://www.facebook.com/muchiqrecords" target="_blank">Facebook</a> or at their own <a href="http://www.muchiq.co.uk/" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-43319080037518071872012-12-28T18:52:00.004+00:002012-12-28T18:53:14.085+00:00Mirock – Hot Ice Cream EP<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgWDJo3adatHqUpfOzskKWik-fa9KcU3qhJBJFklBDrnu9zUAmhmj9o-Wn5Oc7s8wwoUegTjx_aXOT3B6E09x8nBj3Syst7iMF-7lGn9OQ81Cs6MSUtBz-UXlrl_5jlbwHAvpLf4BDGOA/s1600/1065-99198_600.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Mirock Hot Ice Cream EP Artefact Records" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgWDJo3adatHqUpfOzskKWik-fa9KcU3qhJBJFklBDrnu9zUAmhmj9o-Wn5Oc7s8wwoUegTjx_aXOT3B6E09x8nBj3Syst7iMF-7lGn9OQ81Cs6MSUtBz-UXlrl_5jlbwHAvpLf4BDGOA/s200/1065-99198_600.jpg" title="Mirock Hot Ice Cream EP Artefact Records" width="200" /></a></div>
Two tracks of muscular, jackin', funk-fuelled house/techno here, courtesy of Macedonian producer Mirock.<br />
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<i>Hot Ice Cream</i> itself is the techier of the two cuts, an uncompromising fierce rulin' diva of a tune that you could equally well imagine hearing early doors at Trade back in the glory days, or at 6am in some dubious warehouse now. Er, probably. <i>Complications</i>, on the other side, is a tad housier but just as fierce and firing.<br />
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Both should serve your dancefloor-moving purposes admirably.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About:</span></b> This comes on Artefact Records, who are also from Macedonia and who can be found on <a href="https://soundcloud.com/artefactrecords" target="_blank">Soundcloud</a>, on <a href="http://www.facebook.com/artefactrecords" target="_blank">Facebook</a> or at their own <a href="http://www.artefactrecords.co.uk/" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-78979058962158285172012-12-28T18:42:00.001+00:002012-12-28T18:53:48.186+00:00Switchbox – When It's Hot<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMQU3CyLpWQ-o-OGp_2b7HnS9bVdKEkfClvBztR-dwNnC0o6KudPBqDmfV2RrstlLsrZQAGei8wGfHqqXKGw2-H1iEx3-vr048xmkneDqMriZ0U4-4jfAYetifUfJdrPJwEeSMORNeDEM/s1600/OPNDG038.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Switchbox When It's Hot Open Records" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMQU3CyLpWQ-o-OGp_2b7HnS9bVdKEkfClvBztR-dwNnC0o6KudPBqDmfV2RrstlLsrZQAGei8wGfHqqXKGw2-H1iEx3-vr048xmkneDqMriZ0U4-4jfAYetifUfJdrPJwEeSMORNeDEM/s200/OPNDG038.jpg" title="Switchbox When It's Hot Open Records" width="200" /></a></div>
Three very different mixes on offer on this newie from German duo Switchbox.<br />
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In its Original form, <i>When It's Hot</i> is a midtempo, lolloping deep/tech groove with one of those currently trendy treated vocals ("when it's hot, you must go outside"), while a remix from Australia's Jamie Stevens takes us into more plinky-plonky wonky experimental techno pastures. The reason it's here, though, is the remix from French twosome Solead, which transforms the track into a squelching synth bass-astic nu boogie workout, then puts the vocal from Rick James's <i>Give It To Me Baby</i> over the top.<br />
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It's only reasonably clever, perhaps. But it is definitely is BIG.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>This comes on Open Records, who can be found <a href="http://open-records.net/" target="_blank">here</a> or on <a href="http://www.facebook.com/openrecords" target="_blank">Facebook</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-33805328941487073212012-12-27T20:56:00.002+00:002012-12-27T20:56:56.193+00:00Sound Gypsy – Way I Feel EP<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRY-Tz_dTXV2U8jdmgntEabdDpsGgqAIfl69tFmVHcmjgS82UQBSYoO0uK-QU_c8LWJSPfS1mN_5yDss-15tMOcoBiumLguoq0FwGZkOUMTkvGnOjTTuhNDNWb8JndLkPQo3wZn4NX92c/s1600/1645-99117_600.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Sound Gypsy Way I Feel EP Sleazy Deep" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRY-Tz_dTXV2U8jdmgntEabdDpsGgqAIfl69tFmVHcmjgS82UQBSYoO0uK-QU_c8LWJSPfS1mN_5yDss-15tMOcoBiumLguoq0FwGZkOUMTkvGnOjTTuhNDNWb8JndLkPQo3wZn4NX92c/s200/1645-99117_600.jpg" title="Sound Gypsy Way I Feel EP Sleazy Deep" width="200" /></a></div>
Having warmed up with all that deep stuff, time to move towards the floor now with this latest from Sound Gypsy, aka Dobara Music boss Harsh Puri.<br />
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There are three tracks in a total of six mixes, so you can't fault this one in the VFM stakes! <i>Way I Feel</i> itself is in its original form a chunky deep/tech houser, done in that very 'now' stylee but tempered with soulful vocal samples and killer space disco stabs. SION's remix then dubs things right out in quite a satisfying fashion.<br />
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The original version of <i>Just Like That </i>has more of those ace stabs over a more upbeat backing, with some rave-y keyboard stabs thrown in for good measure, while the Rafael Cerato remix heads off again into dubbier but this time also into slightly proggier territories. Havens & Hart perform a similar dubby trick with <i>Everybody Keep On Movin'</i> but here it's the original that stands out for me – a wicked little slice of soulful, disco-fied deep house done properly, with boogie-era male vox and lashings of fat bass.<br />
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So that's: <i>Just Like That </i>for the youngsters, the original of <i>Everybody Keep On Movin'</i> for the older heads and SION's rub of <i>Way I Feel</i> for the sofa surfers. Everybody's happy!<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>This comes on Sleazy Deep, who can be found on <a href="http://www.facebook.com/robmadedj?sk=app_178091127385" target="_blank">Facebook</a> and <a href="https://soundcloud.com/sleazydeep" target="_blank">Soundcloud</a> or at their own <a href="http://www.sleazydeep.com/" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-20795696885967528022012-12-27T20:40:00.002+00:002012-12-27T20:40:52.055+00:00Geometriae – Subtransformer EP<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLq0ZRCdGFHhdpdqymxlz3PoJa7Tw8_Bc7bt_nMicHl8DtMPMpOGoxQ0Sd-CqbtFiu-yHCSVAalIXwp5EpVr16Dj7WWJBmo8CYKIVG_6VStivJW-uJCHDxo4XXdMlp-rUCumC6nfIjsLM/s1600/Cover+Geometriae.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Geometriae Subtransformer EP CPH Undersound" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLq0ZRCdGFHhdpdqymxlz3PoJa7Tw8_Bc7bt_nMicHl8DtMPMpOGoxQ0Sd-CqbtFiu-yHCSVAalIXwp5EpVr16Dj7WWJBmo8CYKIVG_6VStivJW-uJCHDxo4XXdMlp-rUCumC6nfIjsLM/s200/Cover+Geometriae.jpg" title="Geometriae Subtransformer EP CPH Undersound" width="200" /></a></div>
We stay in Denmark, and stay on a very deep tip, with this three-track EP from Danish producer Geometriae.<br />
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"Dub-based techno and deep ambient soundscapes," is how the hype sheet describes Geometriae's style, and they're not wrong. <i>Dubbermann</i> is a bassy, spacey dub techno excursion, <i>Strings Of Space</i> is a sparser, more cinematic/atmospheric ride, while <i>Subtransformer</i> itself is slightly more 'dancefloor', but no less deep n' dubby for it.<br />
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Lights out, lay back and enjoy. Nuff said.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About:</span></b> This comes on a label I don't think have featured on here before, CPH Undersound. Find 'em on <a href="http://en-gb.facebook.com/pages/Copenhagen-Undersound-Records/157792054260086" target="_blank">Facebook</a> and <a href="https://soundcloud.com/cphundersound" target="_blank">Soundcloud</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-41387452729111252012012-12-27T11:16:00.000+00:002012-12-27T11:16:07.830+00:00Distortion Inc – Echo Of Tape<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVG1qSaz-1rbQnh0Rhpene8XU2jzZ-5iJNuzfPL04ld_zRl4aagoLTdSCjVfVvEEmI1J9SuS1aODdKvFknys_N2gwRQw398BbCG9MCpJUV_jTdjW-jtTyZStXND8ecnxkardnD6Nh99zQ/s1600/large_286738DWUC07_Cover.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Distortion Inc Echo Of Tape DeepWit Uncovered" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVG1qSaz-1rbQnh0Rhpene8XU2jzZ-5iJNuzfPL04ld_zRl4aagoLTdSCjVfVvEEmI1J9SuS1aODdKvFknys_N2gwRQw398BbCG9MCpJUV_jTdjW-jtTyZStXND8ecnxkardnD6Nh99zQ/s200/large_286738DWUC07_Cover.jpg" title="Distortion Inc Echo Of Tape DeepWit Uncovered" width="200" /></a></div>
We stay in pastures uber-deep now with this newie from Denmark's ever on-point DeepWit Uncovered.<br />
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In fact, <i>Echo Of Tape</i> marks one of the label's deepest excursions yet, and that's saying something! Across the EP's three tracks, then, expect warm pads, muted percussion, disembodied vocal snips, tinkling minor-key jazz piano licks – you know the story – all at a tempo that means this EP is best filed somewhere between slo-mo and ambient. And that makes it perfect for those moments when you just want to lean back, shut your eyes and drift off into inner space.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>You can find the DeepWit crew on <a href="https://soundcloud.com/deepwit-recordings" target="_blank">Soundcloud</a>, on <a href="https://www.facebook.com/deepwitrecordings" target="_blank">Facebook</a> or at their own <a href="http://deepwitrecordings.com/Intro.html" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-58903606212133406382012-12-27T11:06:00.002+00:002012-12-27T11:06:30.292+00:00Fraser Owen & Thom Norton – Dominos<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwAoaWic6yMTGdhSQBoewkbRmoYiL-peIf-lfx0c0SSejv_Sk1ZXrvRaXZQC-He-0Gxvzu9v60-bhz9vq4IpUHO5NwP6CdCH4hNTKdUt_yMTzPWQD6XRteTsy_2zlhEy6RgENgQb6dUb0/s1600/84853.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Fraser Owen & Thom Norton Dominos Savoir Faire Musique" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwAoaWic6yMTGdhSQBoewkbRmoYiL-peIf-lfx0c0SSejv_Sk1ZXrvRaXZQC-He-0Gxvzu9v60-bhz9vq4IpUHO5NwP6CdCH4hNTKdUt_yMTzPWQD6XRteTsy_2zlhEy6RgENgQb6dUb0/s200/84853.jpeg" title="Fraser Owen & Thom Norton Dominos Savoir Faire Musique" width="200" /></a></div>
Well, that turned out to be a slightly longer Xmas break, blog-wise, than I intended… sorry bout dat. But here we are again now, with this latest from Savoir Faire Musique.<br />
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It's a three-track affair, with Owen and Norton supplying a track apiece and collaborating on a third. The joint effort is the title track <i>Dominos </i>itself, a bassy deep chugger with disembodied, echoing vocal samples and luxurious muted kicks. Owen's solo offering is <i>Polaris</i>, a slightly more jaunty number with garage-y organ stabs and an unhurried feel, while Norton gives us <i>Just Beyond The Trees</i>, a deeper-than-deep ride with a male, spoken vocal that's reminiscent of the mighty Gil Scott-Heron.<br />
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If you like it a little bit tech-y and <i>very</i> deep, this EP is seriously worthy of your attention. <i>Just Beyond The Trees</i>, in particular, is a killer.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>You can find Savoir Faire Musique on <a href="https://www.facebook.com/savoirfairemusiquelabel" target="_blank">Facebook</a> and <a href="https://soundcloud.com/savoir-faire-musique" target="_blank">Soundcloud</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-54785115149416454832012-12-22T15:41:00.001+00:002012-12-22T15:41:06.763+00:00Evan Iff – Sweet Babe<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_VCI6oG7uqAD6qT5y329aK9QI_OPLWknX_byik7VlStB7pr6cVMbfbqIxDnTP7982puuyPkVrpVPBbzduqdLwuFtEbE1Nj5r46ZkY0kcxG7UnWYEic3hatlf5fBVRa80DvpSq6MqlbR0/s1600/SDR020.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Evan Iff Sweet Babe Something Different" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_VCI6oG7uqAD6qT5y329aK9QI_OPLWknX_byik7VlStB7pr6cVMbfbqIxDnTP7982puuyPkVrpVPBbzduqdLwuFtEbE1Nj5r46ZkY0kcxG7UnWYEic3hatlf5fBVRa80DvpSq6MqlbR0/s200/SDR020.jpg" title="Evan Iff Sweet Babe Something Different" width="200" /></a></div>
Finally for today, we move back into deep house territory with the latest from Jesus Pablo & Di Riviera's Something Different.<br />
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In its Original form, <i>Sweet Babe</i> is an interesting mix of influences: the soulful vocal's classic west coast, while the synths and percussion come from a more contemporary deep/tech school of thought. Mix-wise there's a self-explanatory Dub and a typically fine rub from Matches, who puts the vocal through the FX mangle and sparses things right up while adding lots of shuffly top-end. But taking top honours for me is Malin Genie, who gives (give?) us a deeper, sultrier rub.<br />
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You won't go wrong with any of 'em, to be fair. But Malin Genie is the one for me here.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About:</span></b> You can find Something Different on <a href="https://www.facebook.com/somethingdifferentrecords" target="_blank">Facebook</a> and <a href="https://soundcloud.com/somethingdifferentrecords" target="_blank">Soundcloud</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-16603016259260847772012-12-22T15:28:00.000+00:002012-12-22T15:28:11.119+00:00Jonny Love House – Alfresco Disco <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBwsyEwpSF2vRp93CxxviUDy7ltkmYwHxeHExixxIeEr1vGD_c0EUEQaiHqfCbfaqZ6M0npeWKen0KP6NIl2jxDs4RZQUR7qj-pf8p0nheKn1KzPodEbt_hnT-ROU8mpNBNw9OZ8uWhUI/s1600/CampaignPackshot.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Jonny Loves House Alfresco Disco " border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBwsyEwpSF2vRp93CxxviUDy7ltkmYwHxeHExixxIeEr1vGD_c0EUEQaiHqfCbfaqZ6M0npeWKen0KP6NIl2jxDs4RZQUR7qj-pf8p0nheKn1KzPodEbt_hnT-ROU8mpNBNw9OZ8uWhUI/s200/CampaignPackshot.jpg" title="Jonny Loves House Alfresco Disco " width="200" /></a></div>
Staying firmly in dancefloor territory, here we have the latest from rising UK producer Jonny Loves House.<br />
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It's a four-track affair. <i>Bounce</i> is big, squelchy and lightly disco-fied, and wouldn't have sounded out of place on Credence back in the day. <i>Matter</i> is pacier and techier, <i>Loose</i> pairs a strident, techy riddim with slightly housier leads, while finally <i>Even If</i> – the pick of the crop for me – is all about the big fat bassline, which is augmented by (quite poppy) female vocal snatches and wonky, off-kilter keys.<br />
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Should you be of a mind to jack your body this festive season, these four tracks will serve as musical accompaniment admirably.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>This comes on Jonny's own self-titled label… they live <a href="http://www.jonnyloveshouse.co.uk/" target="_blank">here</a> and <a href="https://soundcloud.com/jonnyloveshouse" target="_blank">here</a> (website, Soundcloud). And also in Brighton, if you <i>must</i> always live so relentlessly in the real world.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-26378726319482032292012-12-22T15:13:00.003+00:002012-12-22T15:13:31.509+00:00Dave Martins – Natural<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo40W3wz9GAwUeurBQ4cAXNnMDNvvdpdEI_LC7c8jDFPPseq3CXLRu0tsjpZYr2grGNadE7uYGhKurCLVd0zLxkcglfnJYKjRs6mt_yhhFCutlchTc2Ymdoiue4uM-qSdhyphenhyphen4WBKS72LZc/s1600/Southpark+Records+042+-+cover+art.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Dave Martins Natural Southpark Records" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo40W3wz9GAwUeurBQ4cAXNnMDNvvdpdEI_LC7c8jDFPPseq3CXLRu0tsjpZYr2grGNadE7uYGhKurCLVd0zLxkcglfnJYKjRs6mt_yhhFCutlchTc2Ymdoiue4uM-qSdhyphenhyphen4WBKS72LZc/s200/Southpark+Records+042+-+cover+art.jpg" title="Dave Martins Natural Southpark Records" width="200" /></a></div>
The latest here from Switzerland's Southpark Records, who've definitely been on something of a roll this past few months.<br />
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Label co-founder Dave Martins is the man at the controls, with remixes taken care of by Kenny Ground and Hector Couto. Martins' original of <i>Natural</i> is an atmospheric tech-houser with a touch of deep prog around the edges, Kenny Ground's remix rides much more strident percussion while Hector Couto's rub, the standout for me, filters the drums and takes us into deeper territory.<br />
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Another solid dancefloor bet.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About:</span></b> You can find Southpark Records on <a href="http://www.facebook.com/southparkrecords" target="_blank">Facebook</a>, on <a href="https://soundcloud.com/southparkrecords" target="_blank">Soundcloud</a> or at their own <a href="http://www.southparkrecords.com/" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-92024328218772800262012-12-22T15:04:00.002+00:002012-12-22T15:04:45.278+00:00Darren Marshall – Groove Like This EP<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCHELIqeZYgznxO3DUH2kkI-wVygz0gxgltWzJvdqex-sADqGwnZ-Ft35JiHHDTG0kRbfWDKGz6CNmI-bxlgHo_LnEp-6CBoa8iw9t5_8r9UeO2wXXbSrMAIlwJXZYsf-jDqlz_OMBc2Q/s1600/KHYPE004_COVER-ART-1000.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Darren Marshall Groove Like This EP Kozmik Hype" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCHELIqeZYgznxO3DUH2kkI-wVygz0gxgltWzJvdqex-sADqGwnZ-Ft35JiHHDTG0kRbfWDKGz6CNmI-bxlgHo_LnEp-6CBoa8iw9t5_8r9UeO2wXXbSrMAIlwJXZYsf-jDqlz_OMBc2Q/s200/KHYPE004_COVER-ART-1000.jpg" title="Darren Marshall Groove Like This EP Kozmik Hype" width="200" /></a></div>
More jackin' tech-house grooves here courtesy of Canadian producer Darren Marshall.<br />
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Unlike the very drummy Bimas release below though, here the emphasis is more firmly on the house side of the equation. <i>Groove Like This</i> itself tops its fierce percussion with parping sax and Negro-esque space-disco stabs, while <i>We Know Jack</i> veers even further towards disco house territory – albeit in a grown-up kinda way, and still with those rolling techy drums.<br />
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Two very solid bets for the slightly slinkier floors, then.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>This comes on Kozmik Hype Recordings, who are based in Toronto and who can be found on <a href="http://www.facebook.com/kozmikhyperecordings" target="_blank">Facebook</a>, on <a href="https://soundcloud.com/kozmikhype" target="_blank">Soundcloud</a> or at their own <a href="http://www.kozmikhype.com/" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-24285399289584570962012-12-22T14:53:00.003+00:002012-12-22T14:55:05.826+00:00Bimas – Koala's Rolling<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS0b55Y09FVmJMINV9Z4bA-hv8aKS1luNU2WzJwe9PYRU5-mI3u1QFcGe7gIJX9vOptu9s3hJ_Cnk3NvFYaZBPrGk5r_so7zIrIBB1kyzyd0a706SxpVNJZdevck9pvZqK3vnKBk3mNJA/s1600/aella14.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Bimas Koala's Rolling EP Aella Music" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS0b55Y09FVmJMINV9Z4bA-hv8aKS1luNU2WzJwe9PYRU5-mI3u1QFcGe7gIJX9vOptu9s3hJ_Cnk3NvFYaZBPrGk5r_so7zIrIBB1kyzyd0a706SxpVNJZdevck9pvZqK3vnKBk3mNJA/s200/aella14.jpg" title="Bimas Koala's Rolling EP Aella Music" width="200" /></a></div>
There's a koala, y'see, and he's rolling. I'm not sure how or what he's rolling (down a hill? in the aisles? back the years? up a fatty?) but he's rolling. Bimas says so.<br />
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It's long been my contention* that there aren't enough house music records that name-check koalas, so this was forced to get a mention. What does it sound like? Oh, y'know, rolling percussion, atmospheric synths, disembodied vocal snatches, yada yada yada… basically three slices of yer standard issue, perfectly serviceable, if not particularly ground-breaking, tech-house floor fodder.<br />
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But come on, it mentions koalas. What more do you want?<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About:</span></b> This comes on Italian label Aealla Music, and is their 14th release. Find 'em on <a href="https://soundcloud.com/aella-music" target="_blank">Soundcloud</a>, <a href="https://www.facebook.com/aellamusicofficial" target="_blank">Facebook</a> or at their own <a href="http://www.aella-music.com/" target="_blank">website</a>.<br />
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Oh yeah, and Bimas is from Belgium and has had stuff out on Martin Buttrich and Loco Dice's Desolat! before now.<br />
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<span class="Apple-style-span" style="font-size: xx-small;">*It hasn't.</span>Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-85472603814778767922012-12-22T14:41:00.003+00:002012-12-22T14:41:57.145+00:00Helder Teixera – Non<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwemyGMTJHG-pTEsXmne4VdnFwtc3Fcp_wBUZxEoxYyHSi9iRr-dfQRhtS8rr-hoIIp30VqEveWpdLohq4bm6aL3QYiwRre7exMlkQ2DOq-DR3ArnGzSXIzFPVV9Yju4u5z328qykTKHE/s1600/large_838402ED145_Artwork.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Helder Teixeira Non Endemic Digital" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwemyGMTJHG-pTEsXmne4VdnFwtc3Fcp_wBUZxEoxYyHSi9iRr-dfQRhtS8rr-hoIIp30VqEveWpdLohq4bm6aL3QYiwRre7exMlkQ2DOq-DR3ArnGzSXIzFPVV9Yju4u5z328qykTKHE/s200/large_838402ED145_Artwork.jpg" title="Helder Teixeira Non Endemic Digital" width="200" /></a></div>
Having discovered Portuguese producer Teixeira, the Endemic camp seem determined to release a record by him at least every 45 minutes… here's just the latest. S'good, though. <div>
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There's just the two mixes to choose from. The original is a midtempo, rolling tech-house groove, with snatches of spoken French vocal but the emphasis primarily on the drums. It's the 4am Mix from Teixeira himself that I'm feeling much more, though – a far smoother, afterhours house joint with organs to kill for.</div>
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Nuff said, really… otherwise I'll be forced to do some sort of 'big, throbbing organ' joke. But yeah, this is very cool indeed.</div>
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week</div>
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>Here's a <a href="https://soundcloud.com/etokarecords" target="_blank">link</a> you may have seen before, and here's Helder's own <a href="https://soundcloud.com/helderteixeiradj" target="_blank">Soundcloud</a> page which you may not.</div>
Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-25178767531802588072012-12-22T14:30:00.005+00:002012-12-22T14:30:51.295+00:00Anton Lanski – Kill Me<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6U7KPdRC-eXdZlVQk6CCHMhwSI7V7hovREvaM3byovNtYlgTECN8whLRzB3x8H8jqURqWi6Buk27lSiyeVVI1FmYqybwyfrx10xSNsuLTw4Jnl8cYchFhRxD81hKQVio5FwAJJ_BYnEo/s1600/artworks-000034957501-634yzo-original.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Anton Lanski Kill Me Etoka Records" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6U7KPdRC-eXdZlVQk6CCHMhwSI7V7hovREvaM3byovNtYlgTECN8whLRzB3x8H8jqURqWi6Buk27lSiyeVVI1FmYqybwyfrx10xSNsuLTw4Jnl8cYchFhRxD81hKQVio5FwAJJ_BYnEo/s200/artworks-000034957501-634yzo-original.jpg" title="Anton Lanski Kill Me Etoka Records" width="200" /></a></div>
Liverpool's masters of all things deeper than deep serve up a fine remix package here.<br />
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Anton Lanski's original version of <i>Kill Me</i> operates in downtempo/chill-out territory, but the rest of the EP is made of more floor-oriented remixes, which are the winners of a remix competition run by the label earlier in the year. Forteba gives us lo-slung, sleazy nu-disco/slo-mo, Insect O takes us into dub techno territory, Jedd's mix comes on like the very sparsest and most minimal of two-step, while What About U's rub is the closest to the sumpuous original, just with slightly beefier kicks.<br />
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The Forteba and Insect-O mixes stand out for me but it's an impressive EP all round – given that the remixers involved are competition winners and hence presumably relative newcomers, doubly so.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>You can find Etoka Records at their <a href="http://www.etokarecords.com/" target="_blank">website</a> or on <a href="https://soundcloud.com/etokarecords" target="_blank">Soundcloud</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-78850965065255725542012-12-20T22:22:00.001+00:002012-12-20T22:22:25.679+00:00Various – Tronic 2013<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQmO4NGyMi4J-JS2l8SW2J5TbAbgzvCPuQYsy1e5adwRs8ve7isdxXkKRmNDg9aj6pIm5WVui6EZzBFaC582k-1shx6r5VaaaoJBhQSZ5KzT7E4Sr0VmyQqbPdvT1k6D8fib1IlT6hcEw/s1600/VA+-Tronic_2000x2000.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Tronic 2013 Tronic Music" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQmO4NGyMi4J-JS2l8SW2J5TbAbgzvCPuQYsy1e5adwRs8ve7isdxXkKRmNDg9aj6pIm5WVui6EZzBFaC582k-1shx6r5VaaaoJBhQSZ5KzT7E4Sr0VmyQqbPdvT1k6D8fib1IlT6hcEw/s200/VA+-Tronic_2000x2000.jpg" title="Tronic 2013 Tronic Music" width="200" /></a></div>
Christian Smith's long-running Tronic Music label serve up a compilation of all-exclusive tracks, showcasing some of the label's forthcoming gems for the new year.<br />
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There was a time when the name Christian Smith meant one thing: driving, loop-based techno. But that was then, this is now, and there's none of that here at all. Instead, we're treated to 15 tracks that operate mostly in tuff, chugging tech-house territory, but also take in deeper, proggy vibes (Jewel Kid's <i>Tempo Definition</i>, Guy's <i>Mercury</i>) and some straight-up house, too (Per Hammar's <i>Fever Mode</i>, Smith's own disco-infused <i>Keep On</i>).<br />
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With some other respectable names including Pig & Dan, Dosem and Coyu also making an appearance, this is a very strong collection of club tracks that'll appeal to house and techno heads alike.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About:</span></b> You can find Tronic Music on <a href="http://www.facebook.com/tronicmusic" target="_blank">Facebook</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-14010124681692374172012-12-20T21:50:00.000+00:002012-12-20T21:50:57.580+00:00Tuff Culture – Circles<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVpuYX8RTMJuOMKx_24Df04_i1DDiptFq-VrnKp9Jw8-D2GMyCNnO9OnMMbzWVW1h9PcnWYmcRkrrG-NItSsCdT39FnDWyYd8SxxA0_geaIXWF9uI-iTDG6WvqutMwX7aBI0Yfubx8LYA/s1600/artworks-000035937457-67f91u-t500x500.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Tuff Culture Circles LU10" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVpuYX8RTMJuOMKx_24Df04_i1DDiptFq-VrnKp9Jw8-D2GMyCNnO9OnMMbzWVW1h9PcnWYmcRkrrG-NItSsCdT39FnDWyYd8SxxA0_geaIXWF9uI-iTDG6WvqutMwX7aBI0Yfubx8LYA/s200/artworks-000035937457-67f91u-t500x500.jpg" title="Tuff Culture Circles LU10" width="200" /></a></div>
Despite something of a revival of late, the TIWWD inbox isn't troubled by as much UKG as I might like… so to get a whole album of the stuff that's as good as this, is something of a rare treat.<br />
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There are ten tracks here, that between them take in most shades of garage music the UK has ever produced. <i>I Wanna Hold You</i> is a jerky, twitchy 2-step number with cut-up vox inna Todd Edwards stylee,<i> It's Me & You</i> is a bassier affair with ragga vocal flourishes, <i>Need You Around</i> is smoother, more commercial 2-step, <i>Walking In Ecstasy</i> works a classic vocal over big, bassline house-ish backing, there are more bassline-y vibes on the R&B-vocalled <i>Temptation</i> (featuring Miss Rhodes), <i>Like A Star</i> takes us back to the SG glory days (complete with a few cheeky, very familiar samples) and Enigma Dubz collab <i>Maris</i> flirts with future garage/post-dubstep flavas. <br />
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Consistent enough stylistically to feel coherent, yet varied enough not to get same-y, this is a must-check for UKG fiends.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out:</span></b> This week<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>This comes on LU10 Records – find 'em on <a href="https://soundcloud.com/lu10records" target="_blank">Soundcloud</a> and <a href="http://www.facebook.com/LU10Records" target="_blank">Facebook</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0tag:blogger.com,1999:blog-2489989226040201075.post-7799133567365471532012-12-20T12:08:00.002+00:002012-12-20T12:10:15.566+00:00Dudley Strangeways & Michael McLardy – Timed Out EP<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGBrwjWkeHHKPj5l0Lw3cxPaakQONr7XiT4Oz1WTnV4CMt3C0n3FEEhNgojVq70er_QDOrPG5IuRQ8kkurno2Oq3wBLAT2_A8_PaOOKAxmNYAA9rMpDXT_bi8svbWELYMCmV3ZBbFV3pc/s1600/cover2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Dudley Strangeways & Michael McLardy Timed Out EP Deep Edition" border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGBrwjWkeHHKPj5l0Lw3cxPaakQONr7XiT4Oz1WTnV4CMt3C0n3FEEhNgojVq70er_QDOrPG5IuRQ8kkurno2Oq3wBLAT2_A8_PaOOKAxmNYAA9rMpDXT_bi8svbWELYMCmV3ZBbFV3pc/s200/cover2.jpg" title="Dudley Strangeways & Michael McLardy Timed Out EP Deep Edition" width="200" /></a></div>
More classic-style deep house vibes to kick us off today, as two familiar names team up for a three-track EP on Deep Edition.<br />
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<i>Timed Out </i>itself is in its Original form sees all manner of liquid-y, bubbling synth sounds and atmospheric samples layered over fairly uptempo beats and topped with snatches of people talking about Detroit, while the Sossa Remix tones down the multiple layers and has a slightly more cinematic feel. But the absolute killer here for me is bonus cut <i>Can't Sleep</i>, as sumptuous a late-night groove with garage-y overtones as you're likely to hear all week.<br />
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Top-drawer bizniss, as is Martijn's label's wont.<br />
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<b><span class="Apple-style-span" style="color: lime;">Out: </span></b>This week on Beatport, everywhere else from 31 December.<br />
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<b><span class="Apple-style-span" style="color: lime;">About: </span></b>You can find Deep Edition on <a href="http://www.facebook.com/deepeditionrecordings" target="_blank">Facebook</a> and <a href="https://soundcloud.com/deep-edition-recordings" target="_blank">Soundcloud</a>, or at their own <a href="http://www.deep-edition.com/" target="_blank">website</a>.Russellhttp://www.blogger.com/profile/00281689211243795909noreply@blogger.com0